Gallery Dynamic
ART021 Shanghai Contemporary Art Fair Booth E09
2024.10.31






TRIUMPH GALLERY is pleased to announce that the gallery will attend the 12th edition of ART021 Shanghai Contemporary Art Fair at Shanghai Exhibition Center from November 7 to 10, 2024


In this Art fair, the Gallery will present selected andworks of 12 artists at Booth E09, which includes Fang Lijun, Guan Yinfu, Han YongJi DachunLars EllingLiang YingWang Yabin,  Xu HongxiangXu QuYang MaoyuanZhang Kai, and Zhu Ziwei.




ART021 SHANGHAI CONTEMPORARY ART FAIR


VIP PREVIEW

11/09    13:00 - 20:00
11/10    13:00 - 20:00


PUBLIC DAYS

11/11    11:00 - 18:00
11/12    11:00 - 18:00


VENUE

SHANGHAI EXHIBITION CENTER
NO.1000 MIDDLE YANAN ROAD





Artists
Fang Lijun
Fang Lijun was born in 1963 in Handan, Hebei, China. He graduated from the Printmaking Department of the Central Academy of Fine Arts in 1989. On July 1st of the same year, Fang Lijun moved to Yuanmingyuan, the Old Summer Palace, and later the Yunamingyuan Artists' Village was gradually formed. In 1993, Fang Lijun established his studio in Songzhuang. The Songzhuang Artists' Village has steadily developed for the last two decades. In 2014, Fang Lijun established the Archive of Chinese Contemporary Art. 

Fang Lijun has held exhibitions in major art institutions and galleries, including Ashmolean Museum Oxford, Ludwig Museum Koblenz, Staatliche Kunsthalle, Stedelijk Museum Amsterdam, the Japan Foundation, Ariana Museum in Geneva, Museum of Modern and Contemporary Art in Turin, Macaw Museum of Art, Taipei Fine Arts Museum, Hong Kong Arts Centre, Shanghai Art Museum, Hunan Museum, Beijing Minsheng Art Museum, Hubei Art Museum, United Art Museum and the etc. His participation includes the Venice Biennale, Sǎo Paulo Biennial, Kwangju Art Biennial, and Shanghai Biennial. His works are collected by The Museum of Modern Art (USA), Seattle Art Museum(USA), San Francisco Museum of Modern Art (USA), Centre de G. Pompidou (France), Ludwig Forum für Internationale Kunst (Germany), Stedelijk Museum Amsterdam(Holland), The National Gallery of Australia (Australia), Fukuoka Asian Art Museum (Japan), Museum of Contemporary Art Tokyo(Japan), Hiroshima City Museum of Contemporary Art(Japan), National Art Museum of China(China), Shanghai Art Museum (China), Guangdong Art Museum (China), He Xiangning Art Museum (China), Hunan Museum(China), CAFA Art Museum(China). He is one of the Chinese contemporary artists with the most extensive collection by major art institutions worldwide.

He has published more than 50 personal albums and related publications, including Fang Lijun: Chronicles, Fang Lijun: Criticism, Fang Lijun: Works of Art, FANG LIJUN, Fang Lijun: The Precipice Over the Clouds, Fang Lijun: Espaces Interdits Forbidden Areas, Fang Lijun: Woodcuts, Live Like A Wild Dog, Etc.  Fang Lijun has been invited as a visiting professor and graduate supervisor at more than 20 universities and colleges, including the Central Academy of Fine Arts, Sichuan Academy of Fine Arts, Jingdezhen Ceramic University, Xi 'an Academy of Fine Arts, etc.  In 1993, his painting "Series 2, No. 2" appeared on the cover of the New York Times Magazine.
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Artists
Guan Yinfu
Guan Yinfu, born in 1975 in Heilongjiang Province, China, graduated from the Department of Theatre Arts at the Central Academy of Drama in 2002. He currently lives and works in Beijing.Throughout his career, Guan Yinfu has continuously explored the multi-dimensional material properties of pigments. The sensory qualities carried by the pigments are fully manifested as he constructs spatial order through establishing color relationships. Simultaneously, the interaction of gravity and tension on the substrate results in either thin or thick patches of color. A soothing, sluggish rhythm forms a unique "aesthetics of inertia" on his canvases. This aesthetic transforms the paintings into corporeal entities. Different thicknesses of color patches resemble skin and muscle, corresponding to the two threads of lightness and heaviness in Guan Yinfu's creations. His recent explorations in "The Ontological Turn" subtly echo the forefront of "New Materialism" trends. He also endeavors to penetrate beyond the surface of painting, delving into the depths of the spiritual realm. These varied forms of color blocks step onto the stage of spiritual drama.
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Artists
Han Yong
Han Yong Han Yong was born in 1978 in Yanbian, Jilin, China. He graduated from the Fine Arts Department of Yanbian University in 2000 with a bachelor's degree. He graduated from the Fourth studio of the Oil Painting Department of the Central Academy of Fine Arts in 2008 with a master's degree. Han Yong currently lives and works in Beijing.

For Han Yong, such innocent and effortless painterly expression is perhaps hisresistance to our time and his persistence towards the fond memories and imagination deep-down.  This quality has always been there since the dawn of Han Yong's career.  Han Yong's paintings has something that parallels temporal categories such as "fashion," "trend," or "movement," or they rather exist as a poetic entity that doesn't govern by temporality.  Han Yong's paintings are the maximum expression of his sensibility and even, his nature under the control of reason.  Narratives are laid bare in the compositions with ease, lacking any "useless" tracks.  He is always to leap out of our mundane timeline a few times, maybe just a few, but they are all encapsulated in his pictures.tracks.  He is always to leap out of our mundane timeline a few times, maybe just a few, but they are all encapsulated in his pictures.
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Artists
Ji Dachun
Ji Dachun was born in 1968 in Nantong, Jiangsu, China. He graduated from Central Academy of Fine Arts, Oil Painting Department, Beijing, China in 1993. As one of the most representative Chinese contemporary artists, Ji Dachun is widely noticed for his distinctive personal style. His paintings are witty, humorous, ethereal and tranquil, and full of romantic poetry and Zen. In particular, his choice and persistence in easel painting, in an environment where installations, images, pictures, and multimedia methods are becoming more popular, it highlights its unique expressive charm and profound significance.

After having produced many of his now-widely recognized figurative paintings from his early career, Ji Dachun (b. 1968) begins to gravitate towards acrylic, a medium that is comparatively lighter and less saturated than oil paint.  Initially he was obsessed with the viscous pictorial effect of acrylic, and later on there were his serial explorations of the themes of “Black” and “White”. Throughout this entire process, he has experimented with Payne’s gray—which he considered an unstable pigment color—in terms of how it presents different shades of transparencies, textures, and tonal layers on the canvas.  He experimented so as to grasp the relationship between the subject of paint, the residue, and the image.  Through this project, Ji Dachun endeavors to grasp his own position within the coordination of (art) history and reality and comes up with his own rationales to experiment with—or deconstruct—paint in a perhaps attempt to approximate the boundaries of finite things.

Ji has held solo exhibitions at LudwigMuseum (Koblenz,Germany), MACRO Museo d‘Arte Contemporanea Roma (Rome, Italy), Ullens Center for Contemporary Art (Beijing, China), Kunstmuseum Bern (Bern, Switzerland), Posco Museum (Seoul, South Korea) and other art institutions. His works have been exhibited in the 56th Venice Biennial, 2012 Gwangju Biennale Special Exhibition, The First Triennial of Chinese Arts, 2001 Chengdu Biennale, 2000 Shanghai Biennale, the 1st China Oil Painting Biennale and the 2nd 2ed Annual China Oil Painting Exhibition.
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Artists
Lars Elling
Lars Elling was born in Trondheim, Norway in 1966. He attended Statens Høgskole for Kunsthåndverk og Design, Bergen, from 1988 to 1993. His artworks have been exhibited worldwide, including in various countries such as Germany, Italy, Norway, Austria, Denmark, France, and the United States. They have been widely featured in reviews, articles, and publications, receiving high acclaim from both domestic and international public institutions as well as private collectors. Public collections housing his work include the National Gallery, Oslo, Haugar Museum of Art, Trondheim Kunstmuseum, Arts Council Norway, Oslo, and Oslo Municipality. Lars Elling currently resides and works in Oslo, Norway.
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Artists
Liang Ying
Liang Ying was born in Beijing, China in 1961, studied in the Department of Chinese Painting, Guangzhou Academy of Fine Arts from 1981 to 1982, and studied at the Art Department of the Academy of Fine Arts in Hamburg in Germany from 1983 to 1993, and received an art scholarship from the Rotary Club of Hamburg and the North German State. In 1991 received a Master of Fine Arts.

As a pioneering female artist in Chinese contemporary art, Liang Ying was one of the earliest group of artists who studied in Germany in the 1980s. She is also one of the first established Chinese artists who forgo oil painting in order to focus on ink painting. Whether it is her early series “Diary Liang Ying”, which depicted modern women in urban settings, or her recent series “Immortals and Legends,” Liang Ying has always innovatively combined the compositional elements and contents of German Neo-Expressionism with the brushwork and subject matters of traditional Chinese Painting, transforming them into myriad phenomenal artworks.In these works, she merges concepts, narrative, and painterly expression in one entity. Like many Chinese artists in the 20th century, Liang Ying devotes herself to exploring the possibility of ink painting, hoping to prove to the world that ink painting is still a vital component of today’s contemporary art world.
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Artists
Wang Yabin
Wang Yabin was born in Henan Province in 1974 and graduated from the Art Department of Henan Normal University in 1994. Currently lives and works in Zhengzhou, Henan Province and Huangshan, Anhui Province.

As a leading figure in Chinese contemporary painting, Wang Yabin specializes in using western painting techniques to display eastern landscapes and figures. He says, "It is my artistic choice to draw on the forms and languages of Western art with Eastern aesthetic thought and Chinese culture as the core".

His paintings have always presented a rich look and coherent threads, starting from a keen inner experience, incorporating complex thoughts and emotions into the language of painting. Each stage of his works is unique, and he completes the transformation of his artistic language amidst different experiences and perceptions, with varied themes that keep advancing in the midst of extension.
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Artists
Xu Hongxiang
Xu Hongxiang was born  in 1984 in Changsha, Hunan, China. He graduated from the Printmaking Department of the Central Academy of Fine Arts in 2007 with a bachelor´s degree, graduated from the Printmaking Department of the Central Academy of Fine Arts in 2011 with a master's degree, and now lives and works in Beijing.

Xu Hongxiang’s artistic practice often revolves around painting. Project-based painting series with narrative contents and oil paintings centered on landscapes are the two parallel creative approaches that punctuate his career. "Image",  "body", and "the relationship between painting and reality" are the overarching themes he has been trying to explore in his multi-media painting projects throughout the years. The traits of his highly stylized painting, which included a signature saturated palette, are the fragments that reflect such themes.

Xu Hongxiang’s  selected  solo  exhibitions  and  projects  includes: "Xu Hongxiang: Wander"  (Aurora Museum, Shanghai, 2024), "Xu Hongxiang: Ancient Posts"  (Xie Zilong Photography Museum, Changsha, 2023), "Xu Hongxiang: Displaced  Images"  (Triumph  Gallery, Beijing, 2022), "Xu  Hongxiang: An  Exuberant View" (Hubei Museum of Art, Wuhan, 2021), "Xu Hongxiang: One Night While Hunting for Faeries" (Loft8  Galerie,  Vienna,  2019), "Not Dark Yet - Xu Hongxiang Solo Exhibition" (Triumph Gallery, Beijing, 2018), "Shuffling the Cards" (Parallel Vienna, Vienna, 2018),  "Li Qiang" (Changsha,  2016), "In the Field"  (Changsha,  2016),  "Xu Hongxiang Solo Exhibition" (SZ Art Center, Beijing, 2014). Selected group exhibitions includes:   "Follow the Rabbit - Talking stock of a collection and its reception through contemporary Chinese art"  (Museum Liaunig, Austria, 2023),  "History and Reality: Contemporary Art of China"  (Bulgarian National Museum of Art, Sofia, 2018),  "Visual Questions" (Guangdong Museum of Art, Guangdong, 2017), "Oriental Story" (National Art Museum of China, Beijing, 2017),"Centripetal Force" (SCA Galleries, Sydney, 2017), "In Silence - China Contemporary Art" (Sydney Town Hall, Sydney, 2014).
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Artists
Xu Qu
Xu Qu was born in 1978 in Jiangsu, China.  Xu Qu graduated with a  MFA in Diplom of Fine Art and Film at Braunschweig University of Art, Germany in 2007.  The artist is currently lives and works in Beijing.

Xu Qu conveys his attitude towards society and his understanding of the world through artistic practice.  He focuses on exploring the interconnections among social systems in different dimensions and fields.  Starting from a profound insight into social reality, Xu Qu uncovers the subtle aspects within his field of vision, revealing the macro through a grasp of the micro.  He navigates through various value systems and aesthetic experiences, extending his reflections on the interplay of social systems.  Guided by his pursuit of concise and clear presentation, Xu Qu employs diverse media to address different topics, resulting in a multidimensional artistic practice that encompasses painting, performance, video, installation, and sculpture.

Xu Qu's recent solo exhibitions include Emergence, Triumph Gallery, Beijing, China, 2024; No Evil, No Joy, Nanshan Society, Xi’an, China, 2023; Advent, Long Museum West Bund, Shanghai, China, 2023;  Central Axis, Tang Contemporary Art, Seoul, Korea, 2023;  Rejuvenation, Tang Contemporary Art, Beijing, China, 2021;  Straight Line, Tang Contemporary Art, Hong Kong, China, 2021;  Desert, Each Modern, Taipei, China, 2020;  Fineness, Massimo De Carlo, Hong Kong, China, 2019;  Chaos, Massimo De Carlo, Milan, Italy, 2019;  Ache, Antenna Space, Shanghai, China, 2018.  Xu Qu has participated in group exhibitions at renowned institutions both domestically and internationally, including Fondation Louis Vuitton (Paris, France), K11 Art Foundation (Hong Kong, China), UCCA Center for Contemporary Art (Beijing, China), Taikang Space (Beijing, China), OCAT Shanghai (Shanghai, China), 21st Century Minsheng Art Museum (Shanghai, China), Long Museum (Shanghai, China), Guangdong Times Art Museum (Guangzhou, China), Song Art Museum (Beijing, China),  and He Art Museum (Foshan, China).
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Artists
Yang Maoyuan
Yang Maoyuan was born in Dalian in 1966, Yang Maoyuan graduated from the Central Academy of Fine Arts in Beijing and currently lives and works in Beijing. He has been exhibited in important institutions within China and abroad, representing China at the 54th Venice Biennale and participating in exhibitions at the National Museum in Warsaw, Poland, Pompidou Centre in Paris, Hunan Provincial Museum, Today Art Museum, Martin-Gropius-Bau Museum, Ordos Art Museum, Villa Breda Museum in Padua, Medici Riccardi Palace, etc.

Yang Maoyuan is a Chinese contemporary artist producing sculptures, installations, drawings, and paintings. He is principally interested in the combination and transformation of different aesthetic genres, often mixing western and eastern objects or forms and approaching one with the other's perspective. Fond to quote freely from art history, Yang frequently stirs his audience to come to grips with their own certainties by fundamentally altering both the context of famous icons and the manner in which they are perceived. This often results in idiosyncratic pieces that are both humorous and meditative. Eschewing the application of any overarching "concept", Yang Maoyuan's artistic practice consists of practical experiments that are conducive to more profound questions.

Besides, Yang Maoyuan maintains a keen interest in history and in the visual heritage of traditional communities. Having directed documentaries himself, he likes to conduct his research  himself and to experience different environments first hand. Once again, he abstains from any judgement on this heritage, but instead absorbs it as the starting point of further artistic experiment, adapting and bending its generic constraints to his own style and technique.
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Artists
Zhang Kai
Zhang Kai was born  in 1985 in Shanxi, China. He graduated from the School of Arts, Shanxi Normal University, currently works and lives in Beijing. 

In his painting, the protagonists are personified and spiritualized cats and rabbits, which present the tranquil, mysterious and poetic atmosphere. Through the synthesis and reconstruction of the classical and the contemporary, Zhang Kai presents his thinking on time, spirit, appearance and essence, starting from his analysis of art history from the contemporary perspective, and his own aesthetic tendencies.
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Artists
Zhu Ziwei
Zhu Ziwei was born in Yichang, Hubei Province in 1997, studied at the Middle School Affiliated to the Central Academy of Fine Arts from 2012 to 2016 and was recommended to the Central Academy of Fine Arts; studied at the Oil Painting Department of the Central Academy of Fine Arts from 2016 to 2020 and received an academic degree; studied oil painting at the Central Academy of Fine Arts from 2020 to 2023 Studied in the Third Studio and obtained a master's degree. Currently working in Beijing.

Zhu’s artistic practice can be seen as an exploration of post-modernism creative methods, in which the narrative of literature is deconstructed and its meaning rewoven. As Derrida states in his work "Philology": "Deconstruction is not a method or a set of tools; it is a presence that is never there." Through her brush, Zhu disassembles narratives in literary works into fragments and reassembles these fragments, connecting them to form a complex creative network that creates a variety of meanings and understandings.

Zhu's recent solo exhibitions includes: "Echoes of Planes, Flows of Geometry "  (HKE Art Museum, Ningbo, 2024), "Mirrors in Splinters"  (RDV Gallery, Beijing, 2023). Selected group exhibitions includes:   "Dialog: East meets East, Chinese Contemporary Art and Leizig School "  (CSR.ART, Berlin, 2024),  "Trio - The Power of Life"  (Awake Gallery, Shenzhen, 2024).
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