Fang Lijun (b. 1963, Handan, Hebei) graduated from the Central Academy of Fine Arts,  Printmaking Department  in 1989. In July of the same year, he resided in the Yuanmingyuan area, becoming a key advocate of the "Yuanmingyuan Artists' Village." In 1993, he established the Songzhuang studio, contributing to the formation of the  "Songzhuang Artists' Village." In 2014, he founded the "Archive of Contemporary Art of China," systematically organizing the development of Chinese contemporary art. Since 2004, Fang Lijun has been appointed as a guest professor and graduate mentor at more than twenty institutions, including the Central Academy of Fine Arts, Sichuan Academy of Fine Arts, Jingdezhen Ceramic University, Xi’an Academy of Fine Arts, Wuhan University, and Hubei Academy of Fine Arts.

Fang Lijun’s solo exhibitions have been held in major art institutions worldwide,  including the Ashmolean Museum Oxford, Ludwig Museum,  Stedelijk Museum Amsterdam, The Japan Foundation, Civic Gallery of Modern and Contemporary Art, and Musée Ariana, et cetera. Domestic retrospectives have been mounted at the Shanghai Art Museum, Hong Kong Arts Centre, Macau Museum of Art, Taipei Fine Arts Museum, Hunan Provincial Museum, United Art  Museum, Minsheng Art Museum, and He Art Museum, among other significant venues. Additionally, he has been consistently invited by mainstream international exhibitions, such as the Venice Biennale, Gwangju Biennale, São Paulo Art Biennial, and Shanghai Biennale.

Fang's works are permanently collected by  international museums, in particular the Museum of Modern Art, Centre Pompidou, San Francisco Museum of Modern Art, Seattle Art Museum, Art Gallery of New South Wales, Queensland Art Gallery, Hiroshima City Museum of Contemporary Art, Museum of Contemporary Art Tokyo, and Fukuoka Asian Art Museum. Within China, his works are held by the National Art Museum of China, Contemporary Academy of Fine Arts Art Museum, He Xiangning Art Museum, and Guangdong Museum of Art.

Furthermore, through his artistic career, Fang Lijun has published over 50 monographs, including Fang Lijun: Chronological Notes, Fang Lijun: Works Catalogue, Fang Lijun: Cliff in the Clouds, Fang Lijun: Forbidden Zone, Fang Lijun Prints, and Surviving Like a Stray Dog.  In 1993, his work Series Two No. 2 appeared on the cover of The New York Times.

Liang Ying was born in Beijing, China in 1961, studied in the Department of Chinese Painting, Guangzhou Academy of Fine Arts from 1981 to 1982, and studied at the Art Department of the Academy of Fine Arts in Hamburg in Germany from 1983 to 1993, and received an art scholarship from the Rotary Club of Hamburg and the North German State. In 1991 received a Master of Fine Arts.

As a pioneering female artist in Chinese contemporary art, Liang Ying was one of the earliest group of artists who studied in Germany in the 1980s. She is also one of the first established Chinese artists who forgo oil painting in order to focus on ink painting. Whether it is her early series “Diary Liang Ying”, which depicted modern women in urban settings, or her recent series “Immortals and Legends,” Liang Ying has always innovatively combined the compositional elements and contents of German Neo-Expressionism with the brushwork and subject matters of traditional Chinese Painting, transforming them into myriad phenomenal artworks.In these works, she merges concepts, narrative, and painterly expression in one entity. Like many Chinese artists in the 20th century, Liang Ying devotes herself to exploring the possibility of ink painting, hoping to prove to the world that ink painting is still a vital component of today’s contemporary art world.

刘小东  ,男，
1963年生于辽宁省，
1980年在中央美术学院附属中学学画，
1988年毕业于中央美术学院油画系，之后在附中任教至今。
曾参展过“金们碉堡艺术展18个各展”中国台湾，金门。
“生存状态”，诚品画廊，台湾。
“刘小东在东海”台湾，东海大学艺术中心。
“刘小东1990—2000”，中国北京，中央美术学院美术馆。
“刘小东”美国，旧金山LIMN画廊。
“刘小东”中国北京，中央美术馆画廊。被新加坡美术馆、上海美术馆，中国、澳大利亚昆士兰美术馆、中国中央美术学院美术馆、中国东宇美术馆、旧金山现代美术馆，美国、上河美术馆，中国、中国美术馆、日本福冈美术馆等公共收藏。

泰祥洲
生于1968年，现为清华大学美术学院博士研究生。 　　
1975年师从王文均、胡公石学习书法。
1991年师从崔玉润、李振江学习古代书画装裱和修复。
2001年在新西兰获得新媒体专业设计奖。
2003年担任中央电视台网站艺术设计总监。
2005师从刘丹老师学习传统水墨山水绘画。
2009年参加中国美术馆展出的天工开悟：全国艺术院校博士研究生作品展。
2011年参加德国威斯巴登举办的书写的艺术：三种文化的当代艺术。

Tu Xi was born in 1982 in China, graduated from Renmin University of China School of Arts in 2006, and graduated from Central Academy of Fine Arts in 2009. Currently living and working in Beijing. 

In Tu Xi's creations, lines, strokes, and color blocks, while possessing the beauty of form, also have a sense of being swarmed by information, eroded by data, and transformed by technology, people/art have become the reality of the broken elements of the digital age, but at the same time, they have found a latent, holistic order in the pile of brokenness. At the same time, the plants and mountains presented by Tu Xi exist as “natural symbols” or “landscape symbols”. In his expression, these elements are no longer purely products of the natural environment, but become a kind of pattern and cultural symbol. When these natural elements are placed in his creations, and deconstructed and constructed by Tu Xi in different ways, a humanistic reflection based on “technology” is formed. It includes man and nature, man and technology, nature and artifacts, illusion and reality, and so on.

Early in his career Zhang Jian was inspired by the Impressionists particularly Édouard Manet and the Russian Valentin Serov. Zhang Jian became fascinated with representations of sunlight and outdoor themes, striving to demonstrate introspective, calm and peaceful moments in everyday life. In the early 2000s Zhang Jian began to use photography as a starting point for his paintings and employed techniques of ‘flatness’ and blurred figuration in his work - evocative of the work of Gerhard Richter - that resulted in his Houhai, Chang’an Avenue and Tiananmen series. Public spaces, linked with social history and each carrying special symbolic meaning, became the focus for many of his works.  In recent years, his paintings have become more subjective and free - more expressionistic - creating a confusion of reality, dream and abstraction.

于杨，艺用ID：歪歪，中国潮艺术家，“微博黄V认证艺术博主”，陆蓉之"国潮天团"成员。教育经历：启蒙：清华美院（原中央工艺美术学院）大院出生长大。师从常沙娜、张仃等国家级艺术家，学习传统和西方艺术。学位：毕业于清华美院，获MA学位 [5]；纽约曼哈顿HunterCollege（陈逸飞毕业学院），师从Valerie Jaudon教授（纽约当代艺术图案主义运动的创始人），获MFA学位。