Xu Qu
Xu Qu: Advent
2023.08.26 - 10.22
From August 26th to October 22nd, 2023, Long Museum (West Bund) will present artist Xu Qu's (b. 1978, China) solo exhibition in museum Advent, curated by Sun Dongdong. The exhibition shares the same title as Xu Qu's new large-scale installation, Advent. Created in 2023, Advent will be showcased alongside multiple series of his recent large-scale paintings and installations in the exhibition.
Advent, the large-scale installation, will create a scene reminiscent of an unknown extra-terrestrial descending onto a massive spacecraft. The mediums of this work are recycled components from eight discarded ATMs. After disassembling and flattening the machines, they will be arranged on a platform, with random shutdown screens displayed on their screens. Walking on the platform, visitors can envision the atmosphere in a vertical view. Amidst the digital transformation of currency transactions and the financial industry, the physical operating processes in bank transactions have been gradually changed, and application scenarios of money exchanges are simplified and upgraded. The ending of these discarded ATMs evokes emotions of abandonment or separation: these once perfect industrial design products foreshadow the advent of the last phase of human creation.
Another exhibited installation, Touch, contains three sets of two assembled mechanical arms with LCD screens displaying moving images of planets in the solar system. The two connected arms constantly collide and rub against each other repeatedly until they "turn into dust." This installation reveals humanity's current predicament: humans gradually lose the courage to discover the universe. People generally understand the universe through screens and are blocked in the cocoon of digital images and AI manufacturing.
In addition to the installation pieces, the exhibition will also showcase Xu Qu's paintings, including new works of the Maze Series created between 2022 and 2023. Maze Series is inspired by the question of "why humans are always fascinated by the meaning behind paintings and images." According to this series, the artist visualizes that the position of paintings is at the intersection of imagery and linguistic systems. Colors and lines can narrate the space, perception, and representation within appropriate painting contexts.
Among the displayed paintings are Xu Qu's triptychs from 2017-2018: Dust (Triptych), Magnetic Field (Triptych), and Star Trails (Triptych). Executed with acrylic and chemical fading agents, the artist depicts Earth landscapes imagined from a human spatial perspective, with the map shapes extracted by the artist from personal memories.
Advent, the large-scale installation, will create a scene reminiscent of an unknown extra-terrestrial descending onto a massive spacecraft. The mediums of this work are recycled components from eight discarded ATMs. After disassembling and flattening the machines, they will be arranged on a platform, with random shutdown screens displayed on their screens. Walking on the platform, visitors can envision the atmosphere in a vertical view. Amidst the digital transformation of currency transactions and the financial industry, the physical operating processes in bank transactions have been gradually changed, and application scenarios of money exchanges are simplified and upgraded. The ending of these discarded ATMs evokes emotions of abandonment or separation: these once perfect industrial design products foreshadow the advent of the last phase of human creation.
Another exhibited installation, Touch, contains three sets of two assembled mechanical arms with LCD screens displaying moving images of planets in the solar system. The two connected arms constantly collide and rub against each other repeatedly until they "turn into dust." This installation reveals humanity's current predicament: humans gradually lose the courage to discover the universe. People generally understand the universe through screens and are blocked in the cocoon of digital images and AI manufacturing.
In addition to the installation pieces, the exhibition will also showcase Xu Qu's paintings, including new works of the Maze Series created between 2022 and 2023. Maze Series is inspired by the question of "why humans are always fascinated by the meaning behind paintings and images." According to this series, the artist visualizes that the position of paintings is at the intersection of imagery and linguistic systems. Colors and lines can narrate the space, perception, and representation within appropriate painting contexts.
Among the displayed paintings are Xu Qu's triptychs from 2017-2018: Dust (Triptych), Magnetic Field (Triptych), and Star Trails (Triptych). Executed with acrylic and chemical fading agents, the artist depicts Earth landscapes imagined from a human spatial perspective, with the map shapes extracted by the artist from personal memories.
Xu Qu
Xu Qu was born in 1978 in Jiangsu, China. Xu Qu graduated with a MFA in Diplom of Fine Art and Film at Braunschweig University of Art, Germany in 2007. The artist is currently lives and works in Beijing.
Xu Qu conveys his attitude towards society and his understanding of the world through artistic practice. He focuses on exploring the interconnections among social systems in different dimensions and fields. Starting from a profound insight into social reality, Xu Qu uncovers the subtle aspects within his field of vision, revealing the macro through a grasp of the micro. He navigates through various value systems and aesthetic experiences, extending his reflections on the interplay of social systems. Guided by his pursuit of concise and clear presentation, Xu Qu employs diverse media to address different topics, resulting in a multidimensional artistic practice that encompasses painting, performance, video, installation, and sculpture.
Xu Qu's recent solo exhibitions include Emergence, Triumph Gallery, Beijing, China, 2024; No Evil, No Joy, Nanshan Society, Xi’an, China, 2023; Advent, Long Museum West Bund, Shanghai, China, 2023; Central Axis, Tang Contemporary Art, Seoul, Korea, 2023; Rejuvenation, Tang Contemporary Art, Beijing, China, 2021; Straight Line, Tang Contemporary Art, Hong Kong, China, 2021; Desert, Each Modern, Taipei, China, 2020; Fineness, Massimo De Carlo, Hong Kong, China, 2019; Chaos, Massimo De Carlo, Milan, Italy, 2019; Ache, Antenna Space, Shanghai, China, 2018. Xu Qu has participated in group exhibitions at renowned institutions both domestically and internationally, including Fondation Louis Vuitton (Paris, France), K11 Art Foundation (Hong Kong, China), UCCA Center for Contemporary Art (Beijing, China), Taikang Space (Beijing, China), OCAT Shanghai (Shanghai, China), 21st Century Minsheng Art Museum (Shanghai, China), Long Museum (Shanghai, China), Guangdong Times Art Museum (Guangzhou, China), Song Art Museum (Beijing, China), and He Art Museum (Foshan, China).
Xu Qu conveys his attitude towards society and his understanding of the world through artistic practice. He focuses on exploring the interconnections among social systems in different dimensions and fields. Starting from a profound insight into social reality, Xu Qu uncovers the subtle aspects within his field of vision, revealing the macro through a grasp of the micro. He navigates through various value systems and aesthetic experiences, extending his reflections on the interplay of social systems. Guided by his pursuit of concise and clear presentation, Xu Qu employs diverse media to address different topics, resulting in a multidimensional artistic practice that encompasses painting, performance, video, installation, and sculpture.
Xu Qu's recent solo exhibitions include Emergence, Triumph Gallery, Beijing, China, 2024; No Evil, No Joy, Nanshan Society, Xi’an, China, 2023; Advent, Long Museum West Bund, Shanghai, China, 2023; Central Axis, Tang Contemporary Art, Seoul, Korea, 2023; Rejuvenation, Tang Contemporary Art, Beijing, China, 2021; Straight Line, Tang Contemporary Art, Hong Kong, China, 2021; Desert, Each Modern, Taipei, China, 2020; Fineness, Massimo De Carlo, Hong Kong, China, 2019; Chaos, Massimo De Carlo, Milan, Italy, 2019; Ache, Antenna Space, Shanghai, China, 2018. Xu Qu has participated in group exhibitions at renowned institutions both domestically and internationally, including Fondation Louis Vuitton (Paris, France), K11 Art Foundation (Hong Kong, China), UCCA Center for Contemporary Art (Beijing, China), Taikang Space (Beijing, China), OCAT Shanghai (Shanghai, China), 21st Century Minsheng Art Museum (Shanghai, China), Long Museum (Shanghai, China), Guangdong Times Art Museum (Guangzhou, China), Song Art Museum (Beijing, China), and He Art Museum (Foshan, China).
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Curator
Curator
Sun Dongdong
Sun Dongdong is a contemporary art curator, critic, and writer. He is a council member of the Huayu Youth Award and is dedicated to art criticism and exhibition curation in the field of Chinese contemporary art. His main focus lies in the "post-Olympic era" of Chinese contemporary art, new media art, and the construction of the Chinese contemporary art system. Sun Dongdong currently lives and works in Beijing, China.