静态与流变——蔡锦个展

2015-6-27

展览名称:静态与流变——蔡锦个展
展览时间:2015年6月27日——2015年7月30日
展览开幕:2015年6月27日下午四点
展览地点:艺▪凯旋艺术空间


前言


艺术作为文化建构的文本,在历时化的过程中以时间、空间、意义上的压缩被凝固成一种静态的现实。在内容上其符号秩序中空位的存在暗含了实体界的显现,“实体界是异常坚硬的,无法穿越,它有抵抗符号化的内核,同时又是纯粹飘渺的。”正如齐泽克所形容的“石头”, “它抵抗符号化、辩证化、固守自己的位置总回到那里。” 实体界以一系列结果的形式显现自身。艺术家在创作时通过从日常状态中的出离而进入一种非日常的本真的“出神状态”,将个人与对象间的确定界逐渐模糊消除而进入一种无保护状态。在这种状态下,作品中实体界原质以星云的方式散落在画面中,穿越时间并随着个人经验和意识结构固化而显得越来越“暴力”,使作者沉浸于一种“原乐”般的侵犯中而逐步消解自身经验,最终在时间作用下和实体界成为一体。


在逻辑上,实体界作为“尚未在主体的符号世界中立足的想象性实存物”展示了某种结构的因果性,正如中观论中“有无双遣,不落两边”的论述,实体界以位移的运动方式流动,“就像拉康的缝合点,将漂浮的能值与原意识形态因素缝合在一起,把他们意义固定下来。”艺术家通过图像的呈现缝合了实体界与主体符号秩序间的整个场域,建构了观者对现实图像的感知。一种动态的、非二元对立的、无组织的躯体以表现对象作为途径向观者自然流出,并把某种过去潜入当下的肌质中,逐步消解了本质和表象之间的对立,让本体转向了一种外貌,引导观者走进一个纯粹的本真世界。


李柏辰 


Preface


Art, as the text of culture construction, is concreted as a static reality on time, space and significance level during the diachronic process. The existence of vacancy in symbolic order indicates the revelation of  the substance. "Substance is extremely solid, non-penetrable, bearing the symbolization-resisting kernel, however, it is purely misty at the same time". Just like what Slavoj Zizek describes the "stone", "it resists symbolization and dialecticalization, and sticks to its own position." Substance reveals itself by a series of consequences. When creating art works, artists enter a non-daily, real state of "spiritualization", blurring the boundary between subject and object, in an unprotected condition,completely undistracted by the worldly matters. Under such a condition, the substance in art works scatters like nebula, passing through time and becoming more and more "violent" with the development of  the solidification of personal experience and consciousness structure,  immersing artists  in the “born pleasure ” of offense, disolving personal experience, and finally fusing themselves with substance by the magic of time.

On the logic level, substance is regarded as "an imaginative object that has not yet been framed in the subjective symbolic world", showing kind of structural causality. Just like the narrative in the thought of Madhyamika, "eliminating the existence and nothing, never setting on either side", substance flows like shift, as "the button tie pointed out by Lacan, tie the floating energy with meta ideology, and settle their meanings". Artists tie the whole field of substance and subjective symbolic order by presenting the vision, framing the perception of reality image. Using the representative object as method, a dynamic, non-binary opposition, amorphous body flows naturally to the viewer, injecting some kind of past to present, dispelling the opposition between the essence and phenomena, so that the essence turns to the presentational, leading the viewer to a purely real world.


Li Baichen