TRIUMPH GALLERY announces the representation of the artist Nashunbatu

Gallery Dynamic

2023.09.11

TRIUMPH GALLERY is pleased to announce the representation of the artist Nashunbatu, a Chinese Mogolian artist in Germany. The gallery will present Nasunbatu's first solo exhibition at TRIUMPH GALLERY on Sep 23rd, 2023. The exhibition will curated by Su Wei.

「I like to make my paintings with the profound emptiness of the landscape and the infinite space of the "soul", as well as the sense of distance created by the "cold" tone dominating the picture. My loyalty to these "feelings" is related to the environment I grew up in as a child. Although the beautiful natural environment and harmonious human connotations that existed in the traditional nomadic culture have almost disappeared with the change of values of maximizing economic benefits, the dream_like "vague" and "mysterious" images in my childhood memories have always accompanied me and held me to travel around the world to find and rediscover them ...」

—— Nashunbatu

ARTIST

Nashunbatu was born in Hangjin Banner, Ordos, Inner Mongolia in 1969. He graduated from the Fine Arts Department of Inner Mongolia Normal University in 1989. From 2000 to 2006, he studied at the University of Fine Arts in Braunschweig, Germany, where he was awarded the Scholarship of the Foundation for Cultural Heritage of Braunschweig (SBK) in 2006.

Nashunbatu lives and works in Frankfurt am Main. He mainly works with contemporary oil paintings.

Current group exhibitions and solo exhibitions: Museum Abtei Liesborn, Liesborn, Germany; He Xiangning Art Museum, Shenzhen, China; Busan International Art Festival, Korea; 021 International Art Fair, Shanghai, China; Kunststation Kleinsassen, Germany; Kiaf International Art Fair, Seoul, Korea; New Paintings, Huebner + Huebner Gallery, Frankfurt, Germany; Kunstmuseum Beida, Bitburg, Germany; Overseas Chinese Painting in Chinese Ink and Grassland Inner Mongolia Museum of Art, Hohhot, China; Forest. Wolf. Wilderness, Villa Rotter Museum, Germany, Conscious and Unconscious, Huebner + Huebner Gallery, Frankfurt; Nashunbatu Paintings, Schentana Art Museum, Inner Mongolia, China; Nashunbatu New Paintings, Yeimen Gallery, Beijing, China; Under the Dome, Art Museum, Huhhot, China; Searching for the Source - Ordos - Chinese Oil Painting Invitational Exhibition, Ordos Exhibition Center, China; NEW MASTERS, Galerie Jörg Heitz, Munich, Germany; A Wind-Up Bird on Norwegian Wood, Haruki Murakami, Frankfurt, Germany; Nashunbatu Paintings, Schentana Art Museum, Inner Mongolia, China; Nashunbatu New Painting, Galerie Eimen, Germany; A Wind-Up Bird on Norwegian Wood Haruki Murakami and Contemporary Art,Tel Aviv, Israel; Liebeslust Lebenslast, Schloss Corvey Palace, Germany; BS-VISITE, Braunschweig, Germany; Return, Exhibition Hall of Inner Mongolia Normal University Art Academy, Hohhot, China; China Inner Mongolia Normal University College of Art, Hohhot, China; Kaukosna, Ordos Art Museum, Ordos, China; ENT-DECKUNG, Schuebbe Ins., Dusseldorf, Germany.

Artists

Nashunbatu

Nashunbatu was born in 1969 in Ordos, Inner Mongolia, China. He graduated from the Fine Arts Department of Inner Mongolia Normal University in 1989. From 2000 to 2006, he studied at the University of Fine Arts in Braunschweig, Germany, Where he was awarded the Scholarship of the Foundation for Cultural Heritage of Braunschweig (SBK) in 2006. Currently lives and works in Frankfurt am Main, he mainly works with contemporary oil paintings.

Formal analytic and thematic consideration of Nashunbatu’s work shows that the works articulate their quality at the two levels that are relevant to the medium of painting. A reflexive approach to the possibilities of painting after the end of painting, and a unique experience associatively legible at the thematic level, which can be read as a critical commentary on the current state of our relation to subject/self and the world, come together. The twin poles of the horizon of meaning in Nashun Nashunbatu’s art illustrates the potential of a contemporary approach to painting that interrelates a wide spectrum of relational fields and gives pictorial expression to virulent experiences of our condition as contemporary individuals.

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